Print entitled "Bald Eagle over Mount Vernon," after a scratchboard by Francis Lee Jaques used to illustrate "Spring in Washington" by Louis J. Halle, Jr. (1947.) This print is part of a set of four published by the Audubon Naturalist Society of Washington, DC, an organization that owned the original scratchboards. Image depicts a bald eagle fly...
Print of an image of three buffleheads by Francis Lee Jaques. All three birds are perched on the branches of a tree, with no background indicated. Paper has been mounted to pressboard. This belongs to a group of three illustrations of ducks, each mounted on board. Their date and origin has not been determined.
Print of the illustration "Canada Geese over Washington," a scratchboard created by Francis Lee Jaques for "Spring in Washington" by Louis J. Halle, Jr. (1947.) Print was one of a series of illustrations from this book that were published by the Audubon Naturalist Society of Washington, DC.
Print after original scratchboard from "Canoe Country" (Florence Page Jaques, 1938); part of a set of four prints published in 1960s. A pair of canoeists in a canoe in front of Picture Rock, a cliff face on Crooked Lake, MN, adorned with Native American painted images.
Color print of a male cardinal, facing left, perched on a sunflower and holding a sunflower seed in its mouth. Print after an original watercolor by Francis Lee Jaques. Part of a series of prints of birds printed by Barton-Cotton, Inc. Printed on reverse of sheet: "From Series 3 Originated by Betty Carnes / Executed in watercolor by Francis Lee ...
Print, after original oil painting, of a cardinal with a seed in its mouth on top of a dead sunflower head. Word "Cardinal" in cursive printed on painting. Source and date unknown. Printed at lower right: "Published by Barton-Cotton, Inc. of Baltimore."
Print after a watercolor painting by Francis Lee Jaques, depicting a cedar waxwing perching among branches, grasping a red berry in its mouth. Branches and bird are portrayed without a background, suspended in the middle of the paper. This print almost certainly belongs to a series (JC.2018.1.60-JC.2018.1.63) of similar images of birds by Jaques...
Color print of two downy woodpeckers clinging to a red-roofed birdhouse made of a tree trunk. Print after an original watercolor by Francis Lee Jaques. Part of a series of prints of birds printed by Barton-Cotton, Inc. Printed on reverse of sheet: "From Series 3 Originated by Betty Carnes / Executed in watercolor by Francis Lee Jaques / Approved...
Print, after original oil painting, of Fuegian oystercatchers foraging in tide pool. Translucent title page affixed to sheet; "Fuegian Oystercatchers, Falkland Sound" printed on the cover page. Color print from "Oceanic Birds of South America, Vol. 2" (Robert Cushman Murphy, 1936.)
Print of the illustration "Great Blue Herons at Dyke Marsh," a scratchboard created by Francis Lee Jaques for "Spring in Washington " by Louis J. Halle, Jr. (1947.) The location is Dyke Marsh, on the west bank of the Potomac River south of Alexandria, Virginia. Print was one of a series of illustrations from this book that were published by the ...
Framed set of five small cards featuring artwork by Francis Lee Jaques. From left to right, the cards depict a walrus, a pair of canvasbacks, a sugar pine, a black bear, and a herring gull.
Print after scratchboard for "Snowshoe Country" (Florence Page Jaques, 1944), depicting a forest of tall trees with a deer leaping into the dark background. This print is part of a series of prints after Jaques scratchboards published in the 1960s.
Print entitled "Lockhouse on the Chesapeake and Ohio Canal," after a scratchboard by Francis Lee Jaques used to illustrate "Spring in Washington" by Louis J. Halle, Jr. (1947.) This print is part of a set of four published by the Audubon Naturalist Society of Washington, DC, an organization that owned the original scratchboards. Image depicts a ...
Print of an image of a family of mallards by Francis Lee Jaques. Seven ducklings huddle around a female duck at the edge of a body of water; a male mallard stands slightly further away. Paper has been mounted to pressboard. This belongs to a group of three illustrations of ducks, each mounted on board. Their date and origin has not been determined.