Yoruba narrow band strip; cloth made of warp-raw silk (sanyan); subtle stripes enmeshed in fabric; several strips sewn together; fringe on either end. Wrapper set, plus iborun (shawl). Color: natural
Yoruba narrow band strip; called "Alari"(imitation Spanish lace), narrow green warp stripes and light blue weft stripes, handwoven on imported yarn. Color: maroon, green, and light blue
Yoruba narrow band strip; called "Alari"(imitation Spanish lace), shiny rayon embroidery threads used in geometric patterns on strip on handwoven imported yarn. Color: maroon, red, and light blue
Yoruba narrow band strip; light gradient of stripes running lengthwise, eyelets in width-wise rows throughout, handwoven on imported yarn. Color: black and shades of brown
narrow band "sampler;" comprised of many different strips of various weaves, colors, textures, and materials; Stripes and embroidered shapes are common motifs, and eyelets appear frequently; cotton and rayon threads. Color: various
Aso oke (Kalabari call "onunga"; several strips of lurex cloth sewn together; stripes with glossy silver threads and eyelets with thread in between eyelets; inlay embroidery of diamonds. Color: pink, silver, green, yellow, and white
Aso oke (Kalabari call "onunga"; several strips of woven cloth sewn together; stripes with eyelets with thread in between eyelets and inlay peak-like design; with fringe. Color: pink and white
Narrow band cloth; seven strips sewn together (iborun or shawl); narrow warp stripes inlaid with brown rayon embroidered patterns of stripes, diamonds, triangles, and arrows. Hand stitched. Color: tan and beige with brown
Yoruba narrow band; six strips sewn together (iborun or shawl); lengthwise and widthwise stripes with rayon embroidery threads creating rectangular shapes on textile. Machine stitched together. Color: tan with blue, black, and silver
Yoruba narrow band; woven from raw silk and called ""sanyan;" woven to create an open pattern called Spanish lace, orange warp stripe running down middle. Color: natural and orange
Yoruba narrow band; handwoven, called "Alari," with eyelet design called "Onjawu;" 14 warp threads drawn diagonally down from one warp thread to another; four narrow gold stripes run down center; fringe on either end. Color: purple and gold
Yoruba narrow band; handwoven and sewn, three strips sewn together; embroidered boxes in a diagonal pattern with two geometric shapes and stripes on the border. Color: blue with glossy maroon and beige
Strips sewn together; red stripes running lengthwise with multicolored patches and yellow and green strips. Color: black, red, white, yellow, green, light blue, and orange
narrow band (Kalabari call "onunga": strips sewn together, handwoven white warp threads with red and black stripes running lenthwise, colored patches running across the strip with red borders. Color: white, red, black, orange, green, and yellow
The 1963 work of Kervaire-Milnor on the classification of exotic spheres in terms of the stable homotopy groups of spheres left one unanswered question in dimensions congruent to two modulo four. Subsequent work by Brown-Peterson and Browder gave the answer in all dimensions that are not two less than a power of two. We solve the problem in all ...
Creator:
Ravenel, Douglas Conner (University of Rochester)
Created:
2012-02-01
Contributed By:
University of Minnesota, Institute for Mathematics and its Applications.
The Penumbra Theatre Company Records' Production Records Collection contains materials related to Penumbra's productions records from various plays, set designs, costume designs, oversized production scripts, and programs.
Creator:
Penumbra Theatre Company
Created:
1985 - 1986
Contributed By:
University of Minnesota Libraries, Archie Givens, Sr. Collection of African American Literature.
This photograph shows a social worker giving clothing to a woman and man as a form of "unemployment relief." Faced with a flood of unemployed and impoverished clients, local welfare agencies often resorted to food and clothing assistance or exchanging work for food. This was particularly evident in the early years of the Great Depression, before...
Created:
1930 - 1935
Contributed By:
University of Minnesota Libraries, Social Welfare History Archives.
Why Does the Past Matter? Towards a Social Science of the Past. The study of the past has long been relegated to the historiographical disciplines, e.g., archaeology and history. These fields will always be at the core of a contemporary study of the past. However, in this increasingly globalized contemporary world there is a growing need for the...
Creator:
Institute for Advanced Study
Contributor:
Chilton, Elizabeth
Created:
2012-02-07
Contributed By:
University of Minnesota, Institute for Advanced Study.
A small frog captivates the attention of three preteens during the Tweens on Wheels program in Bald Eagle Lake, Minnesota. Those pictured include: Patty Spicer, Robert Gillman, Robert Schumeister.
Created:
1965
Contributed By:
University of Minnesota Libraries, Nathan and Theresa Berman Upper Midwest Jewish Archives.
Head of the god Asklepios made of marble on exhibit at the Archaeological Museum of Thessaloniki. The sculpture was discovered in Thessaloniki at the Sanctuary of Serapis.