Watercolor painting of a single duck hunter in a canoe among reeds. There are mallard decoys floating around his canoe, and more inside it. He is reaching behind himself for a gun. Three ducks in flight in the distance. The style and signature indicate that this is an early work by the artist, and may be a copy of another work.
Oil painting of a hilly landscape on Easter Island (Rapa Nui), viewed from a high vantage point. Scattered boulders in foreground. In the center of the painting, the crest of a hill is hollowed out into a quarry pit, with trails or gorges leading to and from it. The Bell also owns a drawing that is a direct study for this painting, "Easter Islan...
Painting in casein on masonite depicting several King and Common eiders on the water, with snowy mountains in the background. Records indicate that the painting is set off the Aleutian islands and was created, or at least planned, during the American Museum of Natural History's 1928 Stoll-McCracken Expedition.
Clay sculpture of a male elk, on wood base. The clay has been varnished to a darker brown. This is the sculpted clay model for the only sculpture Jaques ever made. Bell Museum taxidermist John Jarosz made a plaster cast (no longer extant) of this clay model, and a bronze was made from the plaster cast.
Bronze sculpture or statuette of a male elk, standing, mounted on wood base. This sculpture is the only one that Jaques ever made. Jaques sculpted a clay version, of which Bell Museum taxidermist John Jarosz made a plaster cast (no longer extant); the final bronze was made from the plaster cast.
Envelope for a set of four prints after Francis Lee Jaques scratchboards for "Spring in Washington" by Louis J. Halle, Jr. (1947.) This set was published by the Audubon Naturalist Society of Washington, DC, an organization that owned the original scratchboards. The brown paper envelope features a clipped-out printed placard featuring a drawing o...
Oil on masonite depicting animals from Europe. Belongs to a series of murals of animals and people of the world that Francis Lee Jaques painted for the White Bear Unitarian Universalist Church (Mahtomedi, MN) in 1964. When it was first painted, the panel was sponsored by Mr. Murray and Mrs. Jane Olyphant.